Category Archives: Events

Doing Kirby at Comic-Con 2024

Apologies to Rick Geary, Jack Kirby, and Joe Sinnott!

This week brings, once again, the happy madness of Comic-Con International in San Diego, an event that in some ways began with Jack Kirby and continues to testify to his influence. I’ll be there this week, for the first time in, what, seven years? (I don’t think I’ve been to CCI since Kirby’s and Will Eisner’s combined centenary in 2017, which is the last time I used the above graphic.)

Honestly, I’m a bit intimated about returning to the hectic swirl that is Comic-Con. Remember, folks: good shoes, plenty of water, energy bars, that sort of thing. And patience! (Maybe don’t plan on attending two back-to-back time-certain events with less than half an hour’s transit or break time in between?)

I’ve been to Comic-Con many times (starting in 1986), but life has changed since we last went. COVID has hit. Politics have seesawed with terrifying unpredictability. My in-laws and my own parents have all passed away. Mom and Dad’s passings were hard. My wife, our daughter, and I have lived in our current house, through the pandemic, long enough to know the place minutely, almost every nook and cranny. My son and his wife have been married seven years, and are parents now, which makes us grandparents (the usual proud and doting kind!). My daughter traverses greater Los Angeles as a librarian and activist. I’ve termed out of my service to the Comics Studies Society and continue to pursue publishing projects. My wife has transitioned out of (she hates the R-word) her years as a teacher and counselor and returned to school to pursue her first love, art. I am eyeing that kind of move (the R-word!) myself in the coming few years. I watched a few Comic-Con@Home videos in 2020 but then lost touch. This blog went on a near two-year hiatus, only recently ended (good grief!). These days, I’m up to my neck in further Kirby studies work. Whew.

I’m looking forward to getting back to CCI in a smaller way than before, with a reduced schedule and, I hope, lots of get-togethers with friends. We’ll be attending the annual Teaching and Learning with Comics workshop (with Peter Carlson, Antero Garcia, and my friend and colleague Susan Kirtley) at the San Diego Central Library on Wednesday afternoon, hopefully the screening of John Kinhart’s documentary film Married to Comics (about Carol Tyler and Justin Green) on Thursday afternoon, the Eisner Hall of Fame ceremony on Friday morning, and of course the panel I’m participating in, which is about Patrick McDonnell’s recent book, The Super Hero’s Journey:

Mutts creator Patrick McDonnell’s The Super Hero’s Journey is a celebration and reinvention of the Marvel Comics drawn by Jack Kirby he loved as a kid. McDonnell will discuss this book and his upcoming Comic-Con Museum exhibit with Kirby experts Glen David Gold (Carter Beats the Devil), Charles Hatfield (Hand of Fire: The Comics Art of Jack Kirby), and publisher Charles Kochman (Abrams ComicArts). Moderated by Kim A. Munson (Comic Art in Museums).

Thanks for Kim Munson for making me a part of this panel!

There are several other Kirby-themed events happening at Comic-Con, and I hope to be able to attend some of them. Look out for:

In addition, there are many panels featuring friends and colleagues of mine that I hope to take in. Also, we’ll be visiting, and on Thursday afternoon after 3pm I’ll be guesting at, the booth of the Jack Kirby Museum and Research Center (booth #1804), which is on my favorite part of the convention floor, in a triangle formed by the IP (independent publishing) Pavilion, the Small Press Pavilion, and the Gold and Silver Pavilion (near Lobby B2). There’s a map below, FYI, or you can find the Museum’s booth by visiting the searchable Comic-Con Exhibitor Portal and typing in “Kirby.”

I expect to be at the Museum’s booth on Thursday between 3:30 and 5:30pm, signing and selling copies of my Eisner-winning Hand of Fire: The Comics Art of Jack Kirby (2011) and the exhibition catalog Comic Book Apocalypse: The Graphic World of Jack Kirby (2015). Please drop on by, say hello, and chat with me about Kirby! My books will be discounted a bit, and portion of all sales will go to the Kirby Museum.

Jack and Roz Kirby were practically patron saints of Comic-Con in its early years, and I can think of nothing I’d like to do more at the Con than support the Kirby Museum, who are doing the good work of preserving and extending his legacy. Why not stop by and donate?

If you do get to come to Comic-Con, go easy on yourself and everyone around you, remember to stay watered and fed, walk with patience, and enjoy! It’s like nothing else in this world.

Kirbyvision: A Tribute to Jack Kirby

WHOA. Exciting news for Jack Kirby fans in or near Los Angeles:

The Jack Kirby Museum and Research Center is partnering with the Corey Helford Gallery in Los Angeles to present a large-scale Kirby-themed exhibition that opens next weekend on June 29th:

Kirbyvision: A Tribute to Jack Kirby combines original artwork by Kirby with new works by more than fifty contemporary artists inspired by him. Curated by the Kirby Museum, and presented within the Corey Helford’s 12,000-square-foot space in downtown Los Angeles, Kirbyvision highlights Kirby’s continuing and multifaceted influence on comics, media, and popular culture.

Kirbyvision will be on view from Saturday, June 29, to Saturday, August 3, 2024, and is free and open to the public. A free opening reception will be held on the show’s first day, Saturday, June 29th, from 7:00 to 11:00 pm.

The Corey Helford Gallery, founded in 2006, focuses on New Contemporary art, including figurative, Surreal, and pop culture-inspired work. Here’s where you can find it:

571 S. Anderson St. Los Angeles, CA 90033
Open: Tuesday-Saturday, 12:00 pm – 6:00 pm (admission free)
(310) 287-2340

Speaking personally, I can’t wait! I serve as an advisor to the Kirby Museum and have learned so much from their work, which has included exhibitions, panels, walks and talks, and videocasts and other online projects. They have been carrying the torch for Kirby and Kirby studies heroically, and they provided substantial and crucial design assistance, logistical support, artworks, and files for the 2015 Comic Book Apocalypse show I curated at CSU Northridge. It’s great to have another Kirby show here in town!

3 Days for 103

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Tomorrow, Friday, August 28, 2020, would have been the 103rd birthday of Jack Kirby. To honor the occasion, the Jack Museum and Research Center is holding 3 Days for 103, a three-day online event series to be streamed live to Facebook, YouTube, and Twitter. Running Friday the 29th through Sunday the 30th, from 11:00 a.m. into the evening each day,  3 Days for 103 boasts a terrifically diverse roster of guests from comics, art, film, and other fields, including colleagues, family, biographers, fans, and fellow artists. (I’m proud to be in that company: I’ll be interviewed on Saturday, Aug. 29, from 4:00 to 5:00 p.m. Eastern time.)

3 Days for 103, according to the Museum, will stream to Facebook and YouTube, and those who follow the museum on those platforms can elect to receive notifications for each event. In addition, the 3 Days for 103 events will stream to Twitter (via Periscope), but in that case, says the Museum, “there are no individual links to share”; simply follow @JackKirbyMuseum throughout the days.

The events will be promoted using the hashtag #Kirby103 — please spread the news! The Kirby Museum has the details, and full program, here: https://kirbymuseum.org/3for103/

Thanks, as ever, to the Kirby Museum for its tireless and inspired efforts!

Jimmy Olsen 133 cover

Fittingly, it was fifty years ago this past Tuesday, Aug. 25, that DC Comics published Kirby’s first teaser for The Fourth World: the epochal, idea-crammed, and fearlessly strange Superman’s Pal, Jimmy Olsen #133. Just to read that comic is to experience a sort of Kirby contact high: so amazing. It’s hard to believe it’s been half a century since The Fourth World premiered — a real milestone!

PS. Also, taking us back closer to Kirby’s roots, this week blogger Alex Jay shared more from his research into Kirby’s life — namely, images of Kirby’s World War II draft registration card. These images are revealing glimpses into Kirby’s (and New York City’s, and the USA’s) life in mid-October 1940. A lovely thing to see, especially during this special week.

PPS. Craig Fischer and I will continue our conversation about Tom Scioli’s graphic biography Jack Kirby just as soon as we can!

COMICS/POLITICS at Ryerson this weekend!

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This weekend (Thursday, July 25-Saturday, July 27) Mich and I will be traveling to Ryerson University in Toronto, Canada for COMICS/POLITICS, the 2nd Annual Conference of the Comics Studies Society. Man, I can hardly wait!

I served as Founding President of CSS from 2014 to Spring 2018, and continue to serve happily on the Society’s Executive Board. Brainstorming CSS with colleagues and helping the Society get started has been one of the most rewarding projects of my career — and now I get to go to a CSS conference and present a paper on Jack Kirby. My worlds are colliding. 🙂

This Friday, as part of Panel 7.4, War and Conflict Comics, I’ll be giving my paper, “Kirby’s Visions of War, Early and Late,” an outgrowth of my work at the Université de Lorraine symposium in 2017 and my ongoing interest in Kirby’s kid gang comics. Joining me on that panel will be fellow presenters Kaleb Knoblauch and Shawn Gilmore and moderator Martha Kuhlman—I expect to learn a lot! And ours is but one of many panels, roundtables, plenaries, and other gatherings that altogether will make up a jam-packed conference program. So many scholars, so many exciting perspectives on the art and culture of comics: a panel on indigenous comics with Tara Audibert, Camille Callison, Cole Paul, moderator Amy Dejarlais, and graphic recorder Sam Hester; a conversation with Fiona Smyth, Jillian Tamaki, and Qiana Whitted; a Canadian WW2 comics exhibition opening at the Ryerson Library, with guest speaker Hope Nicholson; a mixer at The Beguiling and Little Island Comics (just hanging out in one of the world’s greatest comics shops, no big deal); tons of papers, talks, and opportunities to interact and learn — yow, this is going to be something, a worthy continuation of the tradition begun last year in Champaign.

Plus, a pre-conference documentary film screening on Wednesday night (Drawn Together: Comics, Diversity, and Stereotypes, dir. Harleen Singh, 2018); a charitable comics drive in partnership with the Canada Comics Open Library; book signings with our plenary artists (and Michael DeForge! and Chester Brown!), thanks to exhibitors Drawn & Quarterly and Bedside Press; and, on Friday, a free and public Artists’ Alley featuring indy creators and publishers! PLUS, on Sunday, after the official close of the conference, a number of us will be making a field trip to the Art Gallery of Hamilton, Ontario, to see the acclaimed exhibition, THIS IS SERIOUS: Canadian Indie Comics!

See why CSS has become one of my yearly “mountaintop” experiences?

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If you’re curious about CSS or comics studies, and close enough to get to Toronto, remember that our first day, Thursday, July 25, is Community Day, meaning that the morning events are free and open to the public. Plus, there will be single-day passes on Friday and Saturday for non-CSS members. Come check out what we’re doing!

All credit for the great program, its creativity, richness, accessibility, and relevance, goes to this year’s Conference Organizing Committee, helmed by co-chairs Candida Rifkind, who is CSS President, and Andrew O’Malley, and including Blair Davis, Biz Nijdam (representing the CSS Graduate Student Caucus), Nhora Lucia Serrano, Matt Smith, and past President Carol Tilley—a tireless team that has blended the best of the traditional conference model with new public-facing and creative elements. Looking forward to experiencing the results of their hard work!

Listen to Mythology in Newsprint on KUNV

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News: Audio of my Kirby talk “Mythology in Newsprint,” which I gave at the University of Nevada, Las Vegas, on April 26, is now up for listening online, thanks to KUNV, the Public Radio station at UNLV, and its program UNLV Speaks:

http://kunv.org/april-26-2019/

(Thanks in particular to KUNV’s Kevin Krall and Dave Nourse.)

This talk covers Kirby’s role in the creation of the Marvel Universe, the nature of “Marvel style” comic book production in the 1960s, and the importance of cartooning as narrative drawing (as opposed to illustration). It draws passages from Hand of Fire as well as the introductory essay to the Comic Book Apocalypse exhibit catalog that Ben Saunders and I wrote together. The talk concludes with some thoughts on the self-reflexive, sometimes self-questioning tendency in Kirby’s later work, and in particular a reading of Kamandi #29 (“The Legend,” May 1975), in which Kirby reflects on superheroes as mythic figures.

The talk incorporated scores of images (mostly drawn by Jack Kirby) timed to my comments, and unfortunately those aren’t visible through this radio broadcast — but I hope that the argument is clear and my enthusiasm carries over. At one or two points you can hear me refer to opening remarks by Ben Morse (Visiting Lecturer in Social Media at UNLV, and former Editorial Director of New Media at Marvel), who kindly introduced me. The audio here lasts an hour (though it does not include the post-talk Q&A that the audience and I had together).

This talk was part of the UNLV College of Liberal Arts’ University Forum Lecture Series (and ironically happened on the official opening day of Avengers: Endgame). Thanks to Ben and all who had a part in bringing me to UNLV and hosting me so graciously — including the institutional co-sponsors, UNLV’s Departments of English and History, World Literature Seminar, Great Works Academic Certificate Program, and College of Fine Arts. Most of all, I want to thank, again, my friend and fellow Kirby-head, Jarret Keene, poet, scholar, and Assistant Professor in Residence and World Literature Coordinator for the UNLV English Department. Jarret invited me out and made this gig possible — and his own insights about Kirby are provocative and important. Check out his work, and look forward to more of his writing on Kirby in the years ahead. He’ll open your eyes.

Thanks, Jarret!

PS. As I’ve said on this blog before, I met so many good people during that lightning trip to Vegas. My thanks to them all.